Keeping track of time, minute‐by‐minute, is harder than it sounds. After several amateurish attempts, I searched online for ways to track time on a daily basis. I found Ben Lipkowitz, an engineer and coder. Between 2005 and 2011, Ben logged every hour of every day, sharing it online at www.fennetic.net
. His data is turned into ‘Daily Time Slices’. For me, I try to explore a fantasy future where everything is recorded and captured seamlessly and invisibly. Manictime app is just such a ‘thing’…turn it on and you can log every click you make. I continue to imagine laser and 3D printing technology delivering physical, tangible hand‐made patterns directly to your walls, captured, made and recycled….in physical form. Digital becomes physical, and yet will feel hand-made It’s not far off. (Texas State University installation images – Feb 2014, curated by Mary Mikel Stump).
Daily Time Slices, 40 in x 48 in, cut wood, aluminum bar, laser etch, on alumalite panel. 2014
Daily Time Slices, detail. 40 in x 48″, 2014.
Daily Time Slices, angle view. 40 in x 48 in, 2014.
Bedtime Sleep Scores, 21 in x 24 in, loose blocks, wood, and aluminum. 2014.
Bedtime Sleep Scores (detail) 21 in x 24 in, wood blocks, pigment, aluminum. 2014.
Nightly Sleep Analyzed, 8 ft x 10 ft, laser cut wood, embedded blocks, pigment. 2014
Nightly Sleep Analyzed, 8 ft x 10 ft, lasercut wood, blocks and pigment. 2014
Legend which explains 52 weeks of nightly sleep analyzed by city, by duration and daytime sociability. 2014
Manictime, 30 in x 14 ft, cut 2×4 wood, pigment, laser etching on Aluminum shelf. 2014
Manictime, center view, 30 in x 14 ft, cut wood, pigment on aluminum shelf, 2014.
Manictime, angle view. 2014.
Texas State University Gallery Installation, Feb 2014.
Texas State University Gallery installation, Feb 2014.
James Sterling Pitt sculpture in foreground, Moodjam and Bedtime Sleep scores by Laurie Frick in background, TSU gallery Feb 2014.
James Sterling Pitt sculpture in foreground, Frick in background, TSU Feb 2014.
2 drawings by Laurie Frick. Installation at TSU, 2014