If the recall of a memory is stored in a series of neural connections, then the pattern and location of synaptic spikes could be captured, decoded and replayed.  What if we eventually understand that the desire to see and anticipate patterns in the world….are not so different than the unique neural patterns in our mind.  Memory and the feel of memory is captured as pattern in time.  I think there is a relationship, and am excited to see the new images of Connectome mapping of the C. elegans (worm) and one neural muscle of a mouse.

Sebastian Seung’s TED talk is simple and easy to get…’I am my connectome’.  His MIT course syllabus has much more detail of Connectomics reading. And his recent book… Connectome: how the brain’s wiring makes us who we are is an easy read.

One of the best visual descriptions is this short 3D reconstruction (click to see the video here). 

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Installing the show at Edward Cella in Los Angeles this week. In addition to the 4 collage pieces in the show based on self-tracking data — I built a 12 ft by 12 ft wall ‘Moodjam’ based on tracking your mood in color. Made from 5000 Abet Laminati, italian countertop samples I found at the recycle center (and after I ran out the president of this company kindly sent me more). Based on the premise that not so far in the future a combination of facial recognition, GSR (galvanic skin response) and HRV (heart rate variability) will be able to automatically capture and assess your stress, nervousness, and general mood. I manually track my mood most every day at my friend Ian Li’s site www.moodjam.com . Try it, it’s more accurate than you’d imagine.

Show opens on Saturday Feb 11. If you’re anywhere in Los Angeles before end of March 2012, totally worth a visit. Edward Cella on Wilshire, directly across from LACMA. Tim Hawkinson (loooooong time favorite artist) and Lynn Aldrich, amazing sculpture are the 3 artist exhibiting in this show. ‘Death and Life of an Object”.

I’m convinced the way we unconsciously slice our time reflects the underlying structure of our mind. I began self-tracking as a way to measure and then reverse engineer the unique pattern of ourselves. I believe there is something comforting and compelling about human metrics and realized I was not alone. Many, many people measure something about themselves every day.

Have been thinking about a high-tech future where everything can be easily captured and significantly added to my daily measurement in order to build a patterned language for self-tracking. What if walls could eventually produce ambient patterns of how we’re doing, where we subtly adjust behavior in response to those measurements? The installation at Women & their Work is an experiment to test out this idea. I’ll also talk about a ton of ways to use current gadgets to measure yourself, and how it all makes its way into my art practice.

Photo credit.  Image of me above is from Leon Alesi’s Personal Space project.  See more of them here. Great work.

Walking | 22" x 30", lasercut drawing on 300 lb Arches watercolor paper | edition of 100, 2011

"Upset Stomach", 22" x 30", laser cut drawing on 300 lb Arches watercolor paper, edition of 100

Walking and Upset Stomach (side by side), 22" x 30", Laser cut self-tracking data on 300# Arches watercolor paper. Signed edition of 100. 2012

Outgoing-email, 22" x 22" laser cut drawing of self-tracking data, on 300# Arches watercolor paper. Signed edition of 100. 2012

Fennetic time slices | 22" x 28", lasercut drawings on 300lb Arches watercolor paper, edition of 100, 2011

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